![]() In other words, reason meets emotion in this clash between tone and mood. The tonal horror necessary for the tension to unfold, then, is projected by the very different attitude of the journalist toward the scene: the readers are told that the interviewer “shuddered” and “recoiled” with “cold sweat running down the side of his face” as he watched the vampire before turning on the recorder to begin the interview. The dialogue bounces between vampire and journalist, monster and human, while the mood of prosaic reality is revealed in the simple details of a chair, table and recording device. His tone matches the mood, which is set by a rather unexotic backdrop of a cityscape through the window of an ordinary hotel room. His attitude, or tone, is one of quiet ease. Interview with a Vampire begins quite literally with the viewpoint of the protagonist, the vampire himself, who languidly opens the novel with, “I see…,” while preparing himself for an interview with a young journalist. However, sometimes tone and mood are at odds with one another. In this case, the protagonist’s tone matches the mood. The tone is one of apprehension and fear as the narrator explicitly tells us about his first night sleeping in a foreign hotel: “I did not sleep well…There was a dog howling all night under my window” and “ I had to drink up all the water” by the bedside, but “was still very thirsty” from the strong, unfamiliar seasoning in the food served the night before. To foreshadow the horror to come, the mood is punctuated with the narrator’s attitude about that subject. Tone certainly contributes to the mood of a story, but it is less about creating emotional resonance within the readers and more about communicating the narrator’s thoughts or state of mind. It is strongly related to the narrator’s point of view, delivered most reliably through choice of words, either explicitly or implicitly. Tone, on the other hand, is less sensual play and more the attitude of the characters toward the subject at hand. Is the world depicted familiar to the reader in its contemporary realism or is it fantastic and reminiscent of the distant past? How does everything look, smell and feel? And, most importantly, what does each scene reveal about the subject at hand? These are some of the questions we can ask to delve deeper into the mood emphasized in each sequence of an unfolding story. The physical atmosphere is built scene by scene to create a sense of time, place and reality. Mood in literature is firmly rooted in the locale or setting of the story that reveals the subject. Although both techniques can elicit particular emotions central to understanding a story, the terms are easily confused. Two ways in which authors communicate with readers is by the use of mood and tone. What is the Difference between Mood and Tone? Transcript (English and Spanish Subtitles Available in Video, Click HERE for Spanish Transcript)īy Lucia Stone and Marcos Norris, Oregon State University Instructors of English Literature Conference for Antiracist Teaching, Language and Assessment.Fall 2023 Undergraduate Course Descriptions.Master of Arts in Interdisciplinary Studies (MAIS).Scientific, Technical, and Professional Communication Certificate.Sophie: No, she was in a market, doing some Christmas shopping. Sophie: I’ll be there on Monday, OK? See you then, love.ĭaisy: All right, Mum, see you soon. OK then, I’ll get these for Uncle Bob and this shirt for Oliver and you’re getting a surprise!ĭaisy: Perfect, Mum! When are you arriving home? he has got some brighter coloured clothes recently. At least he won’t get lost on a dark night! ![]() and I’m not sure about the flowers.ĭaisy: Oh, he’ll love it, Mum. Sophie: This one? Really? Do you think it’s Ollie’s style? It’s a bit loud, isn’t it? He usually likes darker colours. No, hold on, what about that one over there, behind you? The one with the flowers on. Sophie: Daisy, one more question - what about this shirt for Oliver?ĭaisy: For Ollie? Yeah, Mum, he’ll love it. Sophie: I know, love, but you have school and this is work you know!ĭaisy: Yeah, I know. OK, so you think they’re perfect for Bob?ĭaisy: Well, I didn’t say ‘perfect’ exactly, but I’m sure he’ll like them. I’ve never seen Uncle Bob in trousers like those, but they are great! Maybe he needs a bit of colour in his life?! ![]() Wait a second, I’ll put my video on, OK? Listen, what do you think about these for your Uncle Bob?ĭaisy: Mmm. Sophie: Well, I’m doing a bit of Christmas shopping and I want your advice. Sophie: Listen, I’m in a bit of a hurry, but can you help me for a minute? ![]()
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